Ashley Oubré, a visual artist originally from Washington, DC but now based in New England, creates her artwork as a fusion of observation, memory, projection, and unresolved feelings using various mediums. Her work delves into themes of visibility and concealment, stability and instability, and solitude versus connection, representing points along a spectrum open to interpretation. Oubré's art skillfully captures moments of shame and vulnerability, celebrating what society deems as abnormal characteristics such as obesity, stretch marks, age spots, and spinal deformities in her subjects.
Meet the Artist:
Interview with Ashley Oubré
I know your work is renowned for its hyper-realistic quality, often mistaken for photography. Can you describe the process and challenges of achieving such realism using graphite powder, India ink, and carbon pencil?
Initially, my approach was structured: ink for shapes and tones, graphite and pencil for nuance. That method became really demanding and limiting after a while. When I began using pastels, I realized I preferred a softer finish, and it's been my go-to for layering since.
You are drawn to subjects that are "socially damaged" in some way. What inspires you to focus on these subjects, and how do you hope to impact viewers' perceptions of exclusion, illness, and other societal issues through your art?
I'm drawn to the unconventional; an unusual vantage point, emphatic subtleties, tender little irregularities... it's always been that way. And of course I hope what I make is well-perceived, but I'm not intent on that. I'm just presenting my own observations and projections, however unclear.
How has your artistic identity and style evolved over the years, and what have been some pivotal moments or influences in this journey?
Initially, the drawings attempted to mirror reality, with a focus on aging in the female body, always rendered in monochrome. Over time, my comfort with less structured mark-making grew, and themes of elusiveness, the mundane, and formless shapes became focal points. Transitioning from a grey palette, embracing color marked a turning point. This was further influenced by the work of artists like Andrew Wyeth, Sahara Longe, and Vija Celmins, among others, who continue to inspire me
Each piece you create is open to interpretation. What kinds of interpretations or reactions have surprised or intrigued you the most from your audience?
Oh I appreciate them all. I've heard all kinds of things... from confessions of adoration to a simple "I don't like it" and everything in between.
How do you balance your personal life and your art practice?
Living where I work, it's all intertwined.
What exciting endeavors lie ahead for you? What can our community anticipate from your future ventures, and how can they support?
I'm hoping to exhibit more this year. There are new mediums I'm working with (oil, clay), and it's exciting, the prospect of it all.
Artist Contact Info:
All images are property of Ashley Oubré